John M. Stahl - BIOGRAPHY
From Wikipedia, the free encyclopedia John Malcolm Stahl (January 21, 1886 – January 12, 1950) was an American film director and producer. Born in New York City, New York, he began working in the city's growing motion picture industry at a young age and directed his first silent film short in 1914. In the early 1920s Stahl signed on with Louis B. Mayer Pictures in Hollywood and in 1924 was part of the Mayer team that became MGM Studios. In 1927, John Stahl was one of the thirty-six founding members of the Academy of Motion Picture Arts and Sciences. With the industry's transition to talkies and feature-length films, John Stahl successfully made the adjustment and for Universal Pictures he directed the 1934 film Imitation of Life which was nominated for an Academy Award for Best Picture. The following year, he directed Magnificent Obsession, starring Irene Dunne and Robert Taylor. John Stahl continued to produce and direct major productions as well filler shorts right up to the time of his death. Some of his other notable directorial work was with The Keys of the Kingdom in 1944 and the 1945 film noir, Leave Her to Heaven with Gene Tierney who was nominated for Best Actress. Stahl died in Hollywood, California in 1950 of a heart attack, aged 63, and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. Description above from the Wikipedia article John M. Stahl, licensed under CC-BY-SA, full list of contributors on Wikipedia.
John M. Stahl - best movies
The Walls of Jericho
The Foxes of Harrow
Leave Her to Heaven
The Eve of St. Mark
Immortal Sergeant
Holy Matrimony
Our Wife
When Tomorrow Comes
Parnell
Imitation of Life
Only Yesterday
Back Street
Seed
A Lady Surrenders
In Old Kentucky
Lovers?
Memory Lane
The Gay Deceiver
Fine Clothes
Husbands and Lovers
Why Men Leave Home
The Wanters
The Dangerous Age
One Clear Call
Suspicious Wives
Women Men Forget
The Woman Under Oath
Greater Than Love
Her Code of Honor
Suspicion
Wives of Men
The Lincoln Cycle
A Boy and the Law
TOP 10
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